The Gentleman Wood-Sawyer of Seattle
When a young man’s romantic and financial future hung in the balance, he traded his social standing for an axe to impress a boarding-house landlady’s daughter.
The story, cleaned up
A cleaned-up reading of the newspaper page: spelling and layout repaired, one story lifted off a crowded page. It follows the original closely but it is not a transcription. The original page is below; read it if a detail matters.
Jemima Pendexter was a blooming brunette with dark brown eyes and a healthy bloom on either cheek. Ferdinand Allaire was a handsome young fellow of six-and-twenty, whose dark, sparkling eyes sent out roguish gleams from beneath a pair of arched brows. But money was the problem. Jemima’s mother kept a boarding-house, and Ferdinand was in debt to her.
'Suppose you take me in part payment of my bill,' Ferdinand suggested. 'I believe I have the elements of a first-rate husband about me.' Miss Jemima turned away, laughing. Suddenly, a commotion outside interrupted them. Mrs. Pendexter was bargaining with an itinerant wood-sawyer, but the man refused her price and moved on. To her surprise, she found Ferdinand Allaire in his shirt-sleeves on the sidewalk. 'I’m your man, ma’am,' he said, rubbing his white palms together. 'I’ll do it for three dollars, and turn it in toward our account.'
He set briskly to work, whistling merrily. The sight of a 'society young man' splitting wood drew stares from passersby. As he worked, an open carriage rolled by, carrying his wealthy, hard-hearted uncle, Laurence Allaire, who had recently cut Ferdinand from his will. The uncle witnessed his nephew in the act of manual labor. Instead of the disgust Ferdinand feared, the old man felt a surge of respect for the boy’s pluck. He went straight to his lawyer to restore Ferdinand to his will. Tragedy struck shortly after—the uncle died suddenly of apoplexy—but Ferdinand, now the heir, returned to Jemima, the debt paid and his future secured by a simple, honest day's labor.
“A man might do worse than marry Jemima Pendexter. She’s pretty, and she’s spirited; and as for her mother keeping a boarding-house, that’s no particular objection in my eyes.”
This 1872 story captures a classic Seattle trope: the intersection of high society, precarious boarding-house life, and the 'rugged' labor of the frontier. While the stakes of an inheritance are dramatic, the struggle of young people trying to make their way in a booming, expensive city remains a core part of the Seattle experience today.
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