The Cosmic Illusion at the Seattle Theatre
A scientific lecture turned spectacular, the 'Urania' show brings the moon and the stars to downtown Seattle through the magic of electricity and stagecraft.
The story, cleaned up
A cleaned-up reading of the newspaper page: spelling and layout repaired, one story lifted off a crowded page. It follows the original closely but it is not a transcription. The original page is below; read it if a detail matters.
A small but more than delighted audience witnessed at the Seattle theatre last night what is undoubtedly the most magnificent scenic production ever placed on the American stage, in the first of the 'Urania' entertainments. The 'Urania' spectacles are a revelation of what may be accomplished in stage illusions. Last night the audience was given 'A Trip to the Moon,' and a delightfully realistic voyage it was. Garrett P. Serviss, a man of sterling accomplishments as a scholar, writer, orator, and traveler, acts as conductor for the party and gives the explanatory discourse in a popular manner, and J. C. Mayrhofer, a celebrated electrician, is behind the scenes, creator of the wonderful effects which illustrate the mysteries of the moon, the evolutions of the earth and the other enchanting spectacles of the lunar and terrestrial worlds. In 'Urania' the house is entirely dark. The first act portrays the entire history of a total eclipse of the sun. Stronger and stronger grows the red light until a speck of dazzling gold lifts up, representing the sun. The scene changes, the eclipse proceeds, and the strange series of scenic effects brings the spectator away up through the realms of space to the surface of the moon. One of the most striking scenes is the view of our earth as seen from the moon's desolate surface. People hold their breath when they watch this scene; its realism is amazing. And yet, like every other picture in that moving gallery of nature, it is but a subtle delusion of the stage.
“People hold their breath when they watch this scene, the extraordinary inversion of nature as we see it amazes them. Its realism is amazing.”
This 1893 review captures a moment when Seattle was hungry for modern technological spectacles that blended education and entertainment. Much like today's immersive digital art or VR exhibits, 'Urania' promised to shrink the distance between the local audience and the vast unknown through the latest in lighting and projection technology.
From readers
No comments yet. If you know something about this story — a correction, a family memory, a source — it belongs here.