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Music, Sunshine, and Pretty Girls at the Seattle Theater

The Carleton Opera Company concludes its popular engagement with a final performance of 'Dorothy,' leaving audiences enchanted.

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A cleaned-up reading of the newspaper page: spelling and layout repaired, one story lifted off a crowded page. It follows the original closely but it is not a transcription. The original page is below; read it if a detail matters.

Collier's pastoral opera, 'Dorothy,' was sung by the Carleton Opera Company at the Seattle theater last evening to a large and appreciative audience, and the beautiful, sunny music, suggestive throughout of fields, sunshine and pretty girls, was rendered in a manner to evoke the heartiest kind of applause throughout every one of its three bright and interesting acts. 'Dorothy' is an opera that grows on the hearer with every production, and the many lovers of music who heard it sung by the same company two weeks ago were present last evening and enjoyed with renewed pleasure the many beautiful arias, duos and quintettes. Miss Alice Vincent had the star part of the evening as Dorothy, and acquitted herself in a manner to secure for herself a number of well-merited encores. Miss Marie Hall as Lydia was charming in her solo in the second act, receiving a hearty encore. Mr. J. C. Taylor's clear tenor voice was heard to good advantage as Harry Sherwood. This gentleman's work is always so clear cut and earnest that he has made hundreds of friends among the music-loving people of Seattle. H. M. Lumsden gave a splendid representation of a hospitable old English gentleman, and his song in the second act was given with such good effect that he had to repeat it. Tom Ricketts is funny in everything he does, and his Lurcher kept the audience in good humor. Last but not least, Mr. William T. Carleton, the star of the company, gave the music of Wilder in his usual excellent style and made a favorable impression. The chorus was specially good last evening, and the opera as a whole went with a run that sent every lady home in a good humor and well satisfied with the company.

“The beautiful, sunny music, suggestive throughout of fields, sunshine and pretty girls, was rendered in a manner to evoke the heartiest kind of applause.”

— Printed in The Seattle Post-Intelligencer (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1894
Then · 1894132 years apartNow · 2026

This review captures a time when live stage productions were the primary form of high-culture nightlife in Seattle. While the Seattle Theater itself is long gone, the city's appetite for touring Broadway-style performances remains a cornerstone of the downtown cultural district.

The original page

The Seattle Post-Intelligencer (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1894-04-07. Library of Congress, Chronicling America.

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About this story

From
The Seattle Post-Intelligencer (Seattle, Wash. Terr. [Wash.]) 1888-1914, APR 7, 1894, Page 3
Rights
Public domain
Place
47.62393, -122.35360 · placed automatically
The paper in the Library of Congress catalog ↗