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A Playwright's Disillusionment with New York

Franklin Fyles, dramatic critic and playwright, reveals why he prefers the West to the pressures of Broadway.

Mr. and Mrs. Franklin Fyles are guests at the Rainier. Mr. Fyles is the well-known dramatic critic of the New York Sun, but has lately become a successful playwright and, as he says, he had to get away from New York to do his work. 'I don't like to stick pins into people anyway, as one has to do occasionally in critical work,' he said. Fyles collaborated with David Belasco to produce 'The Girl I Left Behind Me,' a success at the Empire Theater. However, he admitted that collaboration is not pleasant, citing the 'great waste of time in settling conflicting ideas.' He intends to resign from newspaper work to focus solely on his plays, finding the peace of his travels essential to his creative process.

“I don't like to stick pins into people anyway, as one has to do occasionally in critical work.”

— Printed in The Seattle Post-Intelligencer (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1893
Then · 1893133 years apartNow · 2026

Fyles’s frustration with the 'rat race' of New York’s theater district in 1893 mirrors the modern trend of artists moving to the Pacific Northwest to escape the high-pressure, high-cost environments of global media hubs.

The original page

The Seattle Post-Intelligencer (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1893-07-26. Library of Congress, Chronicling America.

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About this story

From
The Seattle Post-Intelligencer (Seattle, Wash. Terr. [Wash.]) 1888-1914, JUL 26, 1893, Page 4
Text
Cleaned up from the page — spelling and layout repaired — not a word-for-word transcription. The page itself is above, for exact wording.
Rights
Public domain
Place
47.60323, -122.33028 · placed automatically
The paper in the Library of Congress catalog ↗