Same Streets
← All stories

Variety and Hilarity at Frye’s Opera House

A packed house in 1888 Seattle revels in everything from German mimicry to 'dashing soubrettes'—with one notable exception.

The story, cleaned up

A cleaned-up reading of the newspaper page: spelling and layout repaired, one story lifted off a crowded page. It follows the original closely but it is not a transcription. The original page is below; read it if a detail matters.

The opera house was packed last evening at the opening performance by the Reilly & Wood company, and long before 9 o'clock standing room was at a premium. The performance as a whole was a good one, and, judging from the frequent peals of laughter which echoed throughout the auditorium, the audience enjoyed it. Some of the variety features were especially meritorious; the negro sketch by Tierney and Wayne being funny in the extreme and the cause of more laughter and hilarity than any other number on the bill. Herr Pitrot, the German mimic and impersonator, was excellent, his disguises being in some instances almost perfect. The tableux of eight Roman gladiators was artistically done and proved altogether interesting, and the same can be said of the very excellent acrobats, the Nelson family, the skillful tumbling of whom was heartily applauded. La Rue was very dextrous in his exercise with the baton and Adele Wilson's performance on the revolving globe was novel and neatly executed. Mlle. Korjanski's pigeons proved to be very intelligent and the same credit is due her dog 'Tige.' Pat Reilly, in his Irish songs, was up to the average, but anyone having a fancy for the dashing soubrette ought to have been satisfied with the natty work of Florence Miller. The closing farce was dull, dreary and coarse, and the audience rejoiced when it was finished. The company appears again this evening and the indications point to another good house.

“The closing farce was dull, dreary and coarse, and the audience rejoiced when it was finished.”

— Printed in The Seattle Post-Intelligencer (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1888
Then · 1888138 years apartNow · 2026

Frye's Opera House was once a centerpiece of Seattle's cultural life, standing near the bustling waterfront before the city's later regrades and architectural shifts. Today, the site reflects the city's evolution from a timber-and-coal boomtown to a high-density urban core, though the spirit of Seattle's public performance and nightlife remains as restless as ever.

The original page

The Seattle Post-Intelligencer (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1888-06-20. Library of Congress, Chronicling America.

From readers

No comments yet. If you know something about this story — a correction, a family memory, a source — it belongs here.

About this story

From
The Seattle Post-Intelligencer (Seattle, Wash. Terr. [Wash.]) 1888-1914, JUN 20, 1888, Page 2
Rights
Public domain
Place
47.62389, -122.35111 · placed automatically
The paper in the Library of Congress catalog ↗