A Theatrical Triumph in Old Seattle
Local audiences pack Frye's Opera House to witness a powerful performance of 'The Wages of Sin,' marking a high point for regional dramatic arts.
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A large, fashionable, and appreciative audience assembled at Frye's Opera House last night to welcome two favorites of the Seattle public—Mr. Jos. Grisner and Miss Phoebe Davies. The domestic drama entitled 'The Wages of Sin' is one entirely new to the majority of the theater-goers here. It is a really strong play, and in the hands of the talented artists who produced it last night, it was of absorbing and at times thrilling interest. Miss Phoebe Davies as Ruth Hope gave a characterization artistic, powerful, and peculiarly her own, at times rising to the height of dramatic genius. She has improved greatly during the past year and has gained a position far toward the top of the mountain of eminence. An appreciative audience manifested its gratification at her successful efforts by frequent and enthusiastic recalls. Mr. Grisner's splendid dramatization of Hugh Conway's famous novel 'Called Back' will be presented by request for the matinee today.
“She has improved greatly during the past year and has gained a position far toward the top of the mountain of eminence.”
Frye’s Opera House was a cultural anchor in 19th-century Seattle, representing the city's aspirations to match the sophistication of larger coastal cities. Today, the struggle to maintain arts spaces amidst rapid development remains a core tension in Seattle's civic identity.
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